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Most people who know me know I enjoy reading good comics as much as I do books. The mix of sequential art and powerful writing can come together in a way that's not matched by anything else. Sure, some people may say "it's just like a film", but that's not it - the key to sequential art is what happens between the frames, where he power of imagination meets the artist's work.

One of the most influential pieces of sequential art of the last 20 years is Katsuhiro Otomo's Akira. Recently republished in 6 volumes by Dark Horse, this is the first time it's been possible for the west to see Akira in its true form, as over 2000 pages of fine ink art. The story is complex - something destroyed Tokya and triggered World War III. Now the city has been rebuilt and is ready to host the Olympics. A bike gang stumbles across a strange figure in the night, a secret military operation, and a new drug. From the simple start everything spirals out of control: rebellion, hidden psychics, the real reason for the destruction of Tokyo, and the absolute corruption that can only come from absolute power.

This is a science fiction story, one that follows on from Alfred Bester and from the hidden fears of Japan. Death and destruction violate the lives of the characters, as they struggle to reclaim normality in the face of the unknown. We follow a small band as they transition from bit players to the keys that may free Neo-Tokyo. Nothing feels forced, it's all logical, as relationships shift and loyalties bind them closer together. Enemy becomes friend and friend enemy as chaos rips the city to shreds, and forces everyone and everything on to a new path.

It's also worth viewing the anime. Here the story is very different, covering just the first two volumes of the manga, but coming to a very different conclusion. IT's interesting to see how Katsuhiro Otomo treats film, and how he tells the story in a very different way in each medium. The limitations of film are clear, we miss many key characters, and the complex motivations of each side in the drama are simplified for the shorter story. It's almost as if the notes for the larger work suddenly developed a life of their own while Katsuhiro Otomo was still finding his way to the real Akira.

You'll spend days coming to grips with Akira. It's not designed for western readers, and little cues and stylistic tricks familar to western comic readers aren't there or are subtly distorted. Don't be put off by the resulting discomfort - above all Katsuhiro Otomo is a story teller, with something very important to say about how we treat power and the powerful. He's also a wonderful artist. Some how I think these are 6 hefty volumes I'm going to keep coming back to. What more can I say, apart from: highly recommended.

Comments

almeda
Jun. 15th, 2002 02:20 pm (UTC)
Huh. I should try the manga; to me, the anime quit making any sense whatsoever about halfway through. I thought perhaps it was the dub; I rented the subtitled one, but no, same same.